big. crush.

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September 2009

“I just had a moment of clarity. I woke up. It’s like, ya know, when you have an orgasm on your own. You’re sort of lying on the sofa watching some porn movie you bought on a drunken lonely night in Soho and you’re lying there and everything is really great. You’re getting so turned on by these absurdly graphic images, everything seems so right and suddenly…sspppllfftt…BINGO. You wake up. You’re sitting there sweating desperately looking for the tissue which you just know is in your pocket and the remote control which is somewhere on the floor and ya know….it’s like walking in on yourself.”

—Simon Pegg, “Spaced”

Aug 31, 20092 notes
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August 2009

Aug 31, 20099 notes
Aug 31, 2009134 notes
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Aug 31, 20091 note
“I think comedy is about surprise and honesty,” said Novak. “And ideally you surprise people with a sudden burst of honesty. And I think that’s what ‘The Office’ did when it came on the air. And I think it’s what ‘Seinfeld’ did. And what ‘Friends’ even did. People were used to comedies that were based on other comedies. Not that were based on real life. And so they stopped being funny. “Every few years, you have, when you’re lucky, a correction on television and in the movies with how people actually talk and actually think. And it feels like a revelation.” —Alt comedy as the new mainstream — latimes.com (via rickyv)
Aug 30, 200927 notes
Chipotle iPhone App.....om nom nom nom → buzzfeed.com
Aug 28, 2009
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Aug 28, 2009
Aug 28, 2009179 notes
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aewsome:

(via chuckhistory)

you guys crack me up.

Aug 28, 20092 notes

spiers:

bigcrush:

To me the writer wasn’t breaking news on the fact that the industry is changing/downsizing so much as he/she was explaining the odd limbo it has created for the late 20s, early 30s j-school grads. Those who spent their single digits of experience in the biz thinking they were creating a career that, a few years later, no longer exists (at least not in the same form). Sure, industries/businesses change and adapt and yes, that is normal. But the personal shift required for those fledgling journalists seemed to me point of interest. Anyway, that’s what I took away from it.

Yeah, I get what the writer was trying to articulate; the assumptions behind it just irritated me. It’s not that the writer doesn’t understand that the industry is adapting, it’s that it didn’t occur to him/her that this could happen during the period when he or she was making decisions about j-school, etc.  The writer is 31, which is precisely the right age to have witnessed the dot com implosion during his/her decision making process. That implosion decimated the tech sector, and caused a recession that took an enormous chunk out of media in the early 00s. I’m not saying the writer should have anticipated that it would happen again, but that the thought doesn’t seem to have crossed the writer’s mind that it could, which strikes me as just not paying attention to anything that was going on in that period.

And I think any j-school grad who didn’t know media jobs were hard to come by, even when the industry was booming, probably didn’t think long and hard enough about the merits of j-school versus the costs.  Even in a good market, there’s a risk that you won’t get a job when you get out because the industry is pretty small (relatively speaking) and the number of entry-level jobs are few.

I’ve done a pretty wide range of things to make money since college and as a result, my resume seems to be what some people would charitably call “unfocused.”  But I made a point of learning how to do a lot of different things because I don’t ever want to be in a position where I have one skill set and demand for that skill completely dries up. If all of media implodes, I can still put together a financial model, make wireframes, etc. Which isn’t everything, but it makes me much less nervous about where media is going with respect to my ability to pay rent.

My dad’s a local lineman at Southern Company and he’s worked there for over 40 years, but also knows how to build houses and has built quite a few of them. He enjoys contracting work, but I don’t think he ever felt that his primary job was completely secure and wanted to be able to get work if he lost it. It might not have been necessary (he’s still employed) but I think it was a practical choice—and not terribly unusual for his generation.

My generation leans toward specialization, which partly a function of academia doing the same. And there’s nothing wrong with having a specific specialty, but I think assuming that specialty will always be in demand is an enormous risk, no matter what that specialty is. If nothing else, it’s just a matter of practicality to acquire a few skills beyond your primary. And if you are 31, as the writer of that article is, there’s no excuse for not doing it now.  31 isn’t 22, but it’s definitely young enough to learn new skill sets and diversify your resume.  So on review, it also irritates me that the writer thinks he or she is doomed at a relatively young age when transitioning is still possible.

I agree with you about seeing indications of shift in the industry while in school, however, journalism school 7 years ago was still fighting hard not to adapt to these shifts and, good or bad, I think we were all susceptible to tasting a bit of the Kool Aid.

On varied skill-sets, I too was not overly specialized leaving school (something my parents encouraged and something that I thought was even ill-founded for a few years). I graduated with multiple degrees and ended up with a rather broad resume and varied interests — even in my relatively short time out of school. It seemed like the wrong move for a while, but ultimately it has served me well and made my career path adaptable during these transitional times. As Foster said, eventually people need to stop complaining about the dwindling number of old-style print positions and go get a job already — it’s true. 

I just think the pill is a little harder to swallow than journos my age anticipated is all, and that part I can relate to.

But sure enough, be it through necessity or gumption (not sure which), when I saw the decline gaining momentum, I bucked up quickly and adapted…I just think that untethered feeling the writer conveyed was something that seemed familiar to me from when I made that move.

Aug 27, 200920 notes
In which we remember we are in public

Okay, I’ll stop it before it starts:

Yes, the anonymous Gawker post caught me at just the right moment and unleashed a rant about the content that has irked me on the site. My mistake for forgetting to breath before hitting the keyboard, we’ve all been there.

So look, I could get into publicly defending my reaction to the piece and keep it up there for more people to get angry about, but instead I’ve chosen to strip it and FEK we can just grab a beer and rock some socratic method some time. Honestly, I wasn’t trying to hurt feelings or brew some kind of hootenanny and judging by the heated flurry of positive and negative reactions within the first couple minutes, it’s clear that my personal rant should remain just that: personal.

You win internet, now I have to get back to work.

PS: hunter, that was not to lash out at you or your column, as you know, as friends we have chatted/ranted many times about columns, editorial shifts and other industry stuff candidly. I think you’re great and one of the few people holding onto old-school journalistic ideals.

PPS: FEK, isn’t whining about book deal books killing publishing kind of on par with crying about the death (shift) of the print industry? just sayin. 

Aug 27, 20091 note

spiers:

I was trying to put my finger on what irritated me about Gawker’s anonymous “Plight of Print’s Lucky Ones” post and I think it’s mostly this:

The writer laments the decline of print and its increasing inability to provide well-paid jobs for people in his/her position.  Senior people are being fired because they’re too expensive, the industry is shrinking and it may not come back.

But here’s the thing:

All of this rests on the assumption that pricing of labor then was somehow more reflective of value then than it is now.  And who’s to say that salaries and what people are willing to pay for production values aren’t simply being corrected to a level that is actually sustainable and reflective of how these businesses should have been run in the first place?

There are a lot of people sitting around doing nothing in between closings? Maybe you’re overstaffed. Writers can’t make six figure salaries anymore? Maybe writing captions for celebrity photos doesn’t warrant six figures. Ad rates are tumbling? Maybe creating content on the back of expensive photo shoots by brand name photogs and high-dollar word rates for recognizable bylines doesn’t work because the quality of the content and the value that advertising against it provides is just not high enough given the cost of production.

Maybe the previous iteration of traditional media was just a creative Weimar Republic.  Maybe this is normal.

To me the writer wasn’t breaking news on the fact that the industry is changing/downsizing so much as he/she was explaining the odd limbo it has created for the late 20s, early 30s j-school grads. Those who spent their single digits of experience in the biz thinking they were creating a career that, a few years later, no longer exists (at least not in the same form). Sure, industries/businesses change and adapt and yes, that is normal. But the personal shift required for those fledgling journalists seemed to me the point of interest. Anyway, that’s what I took away from it.

Aug 27, 200920 notes
Sneak Peek of This Is Why You’re Fat → theharperstudio.com

(via debbiestier)

Aug 27, 20093 notes
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Aug 27, 200944 notes
Aug 27, 2009
Aug 27, 200913 notes
#spaced #tv
Aug 26, 20097 notes
http://gawkerisbarrenwithoutcajunboy.tumblr.com/ → gawkerisbarrenwithoutcajunboy.tumblr.com

well there that is…..

Aug 26, 200914 notes
Aug 26, 2009
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